IMDb
No stars yet


Music · 2014 · 2h 57min
This performance of 2014 can be considered as a reference on account of the quality of the vocal material involved and because the daring staging of Austrian Martin Kušej is rich in meaning within the context of the global challenges of today. He proposes a reflection on war, on vengeance and also on the mark of guilt which ends with the joie de vivre and the expansion of passions. In the intimacy of Calatrava, his is a post-Bauhaus picture of a Fascist neatness which then contrasts with the chaos of battles, the abyss of misery and the sexual stampede after triumph or failure. In this context, religion, instead of being a consolation is both an escape and the tomb of humanity; the chapel wherein Leonora hides is made out of huge crosses and in one of them, just for a moment, Don Álvaro seems crucified by his fate.
Sign in and build your archive. The best notes get written right after the credits roll.
Sign in → top right
Sony PicturesNo streaming info for United States at the moment.
IMDb
No stars yet
Rotten Tomatoes
The tomato isn't ripe
Metacritic took the day off
TMDB
0.0 /10
0 votes
Letterboxd
Letterboxd didn't respond
Weighted average
0.0/10